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Oluce Stones 5.9" Outdoor Lamp

SKU #: ZLU1022
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  • List Price:$574.08
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Learn more about Stones 5.9" Outdoor Lamp below:


FEATURES | SPECIFICATIONS | DESIGN





FEATURES:

  • Stones collection
  • Material: Nylon and polyethylene
  • Direct and diffused light


SPECIFICATIONS:
  • Accommodates: 1 x E27 Max. 12 W fluorescent bulbs (not included)
  • IP Rating: IP65
  • Dimensions: 5.9" H x 10.6" W x 7.1" D


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MARTA LAUDANI AND MARCO ROMANELLI

Marta Laudani and Marco RomanelliMarta Laudani (Verona, 1954) and Marco Romanelli (Trieste, 1958) have been working together since 1986. They have done design work for Arflex, Cleto Munari, Fontana Arte and Up, and are currently working for Bosa, Driade, Ferlea, Lema, Montina, Oluce, Seccocose and View. Among their works we should recall the following: in 1997 the monographic work on 'Gio Ponti' for the Furniture Show and for the Association Jacqueline Vodoz et Bruno Danese, many exhibitions including 'Dichiarazione d'Interni' (1994), 'Oggetto Ambiente' (1994), 'Paradigmaticità delle Arti Decorative' (1995) and 'Intorno alla Fotografia' (1998). Together they wrote 'Gli Spazi Del Cucinare', Electa, 1989 and 'Design Nord-Est', Abitare Segesta, 1997. Their many exhibitions include their personal exhibition at the Museo Internazionale della Ceramica in Laveno in 1998. Independently, at their studios in Rome and Milan, they are involved in interior design (their creations have been published in leading international magazines). At the moment they are working on the re-organization of the Museo della Civiltà Romana in the EUR district of Rome on behalf of Fiat Engineering. Marco Romanelli has been the Art Director of Oluce since 1995 and of Montina since 1996. From 1994 to 1997 he was a consultant of Driade for the Atlantide collection. He was a member of the editorial staff of Rivista Domus from 1986 to 1994 and has been on the editorial staff of Abitare since 1995. In 2000 he organized the third 'Aperto Vetro' section of the Venice Biennial Exhibition.



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Item:
Dimensions:
Weight:
Stones 5.9" Outdoor Lamp 5.9" H x 10.6" W x 7.1" D 5.9 lbs
Oluce:

Oluce Meanwhile, in 1963, Marco Zanuso created one of Oluce's forgotten masterpieces in production since 1965: the model 275 table lamp with large white perspex swivel shade on an enamelled metal base. And it was once again a new material, the ''Fresnel Lens'' pressed glass, which inspired Joe Colombo's 1964/66 family of weatherproof outdoor ''Fresnel'' lights, with a painted metal base and shade retained by steel clips. This was followed in 1965 by the ''Spider'' group, in which a single lighting fixture, designed for a special horizontal spot light, was assembled � thanks to a melamine joint - in a variety of situations (home/office) and on different supports (table/floor/wall/ceiling), thus coining the concept of a ''family'' of lamps. The stamped plate finished with white, black, orange or brown baking paint, sliding along a polished chrome stem, seemed a foretaste of the future. In 1967 it won the first ''Compasso d'oro'' award for Oluce, and in 1972 it appeared at the unforgettable New York exhibition ''Italy: the new domestic landscape''.

But in 1967 Colombo had already moved on, creating his ''Coupé'', a curved stem of considerable size supporting an elegant semi-cylindrical shade, now exhibited at the MoMa in New York. In 1968 the Coupé light won the ''International Design Award'' of Chicago's American Institute of Interior Designers. Finally, 1970 saw the birth of the ''Halogen light'', which went into production in 1972, one year after the premature death of Joe Colombo, and was therefore named ''Colombo'' in his honour. The first indoor halogen light to appear on the market, it became an unsurpassed icon of a design that is both functional and contemporary. In the meantime, a new and important era had begun at Oluce, coinciding with the transfer of ownership from Ostuni to the Verderi family, and dominated by one of the great masters of Italian design: Vico Magistretti. For many years, Magistretti was art director and chief designer of the company, conferring his unmistakable stamp and a legacy of worldwide recognition. Kuta, Lester, Nara, Idomeneo, Pascal, Dim, Sonora, Snow, and especially Atollo - all became names that instantly called to mind the corresponding product. Atollo even became a sort of template, a graphic silhouette that immediately rendered the concept of a ''lamp''.

Atollo - essentially inimitable though copied around the world, winner of the ''Compasso d'oro'' in 1979, featured in the permanent collections of all the leading design and decorative arts museums - has thus become much more than just a lamp: it is a legend. Its secret probably lies in the geometry of its forms: the cone on the cylinder, all surmounted by the hemisphere. A luminous sculpture to which nothing can be added, and from which nothing can be taken away. In the meantime, Magistretti's presence protected Oluce from superficial forays into postmodernism, as confirmed by the various designs by Bruno Gecchelin included in the catalogue.

At the start of the '90s, it was the rigour of the emergent Swiss designer Hannes Wettstein which characterised the company's style. Some examples are Wettstein's ''Soirée'' model, a slender assembly of aluminium and makrofol, as well as Riccardo Dalisi's ironically provocative ''Sister'' and ''Zefiro'' models. Finally, in 1995 Oluce took a different tack under the art direction of Marco Romanelli, which bolstered its international success and the collection's critical acclaim. The new formula put the focus on expressing highly diverse personal idioms, and in particular those of leading contemporary designers, such as the Englishman Sebastian Bergne, the Swiss Hans Peter Weidmann, and the Italians Laudani&Romanelli. In 1997 the ''Estela'' lamp was the word's first industrially-produced object designed by the brothers Fernando and Humberto Campana, poetic narrators of their far-away Brazil. In 2000, the ''Nuvola'' series marked the start of Toni Cordero's collaboration with Oluce. One of the leading Italian architects of his generation, Cordero imposed his vision through the use of utterly disruptive and unconventional forms. Nuvola has been his last, wonderful project.

In 2001 white Murano glass stones and transparent perspex reeds populated the Oluce booth at Euroluce. Designed by Laudani&Romanelli and Ferdi Giardini, they proposed a way of doing design that exceeds its function and turns itself into poetry. The search for authoritative international voices that can articulate types of illumination following the oluce philosophy has continued down this path. This small group of designers was then enhanced by the addition of american Tim Power, fi nn Harri Koskinen and italian Carlo Colombo. For Oluce, the new millennium opens with new partnerships and new energy. On the one hand it explores territories beyond the confi nes of light: with ''Nerolia'', Ferdi Giardini proposes a lamp-fragrance diffuser; ''Ibiza'' is Francesco Rota's offering of an outdoor device that contains a sophisticated loudspeaker; Laudani&Romanelli have designed a ''Cand-led'', an artificial candle that can be recharged like a mobile phone, thereby eliminating the need to plug it in; and Harri Koskinen, the young Finn who managed to re-launch Nordic style on the international design stage, in his first attempt beyond his native border, has dreamed up ''Lamppu'', a reading lamp that features a moveable head that can also be used as a fl ashlight. Each of these projects follows an important path of research and innovation.

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For Your Reference
OUR SKU # ZLU1022
This item is also sometimes listed under the following manufacturer numbers:
Stones 207

Also In This Collection
The product you are viewing is part of The Stones Collection, from Oluce.
Other collection items include:
Oluce Stones11.8" Outdoor Lamp
Free Shipping!Oluce Stones11.8" Outdoor Lamp$526.70
Oluce Stones 7.9" Outdoor Lamp
Free Shipping!Oluce Stones 7.9" Outdoor Lamp$518.95
» See all 3 items in this collection
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